{"id":936,"date":"2013-07-05T16:11:32","date_gmt":"2013-07-05T20:11:32","guid":{"rendered":"http:\/\/www.ramapo.edu\/berriecenter\/?page_id=936"},"modified":"2016-03-02T13:38:31","modified_gmt":"2016-03-02T18:38:31","slug":"archive-2007","status":"publish","type":"page","link":"https:\/\/www.ramapo.edu\/berriecenter\/exhibitions\/archive-2007\/","title":{"rendered":"Archive 2007"},"content":{"rendered":"
\"Hector

Hector Hyppolite, Maitresse Congo, c. 1947, oil on Masonite, collection of Jonathan Demme, Nyack, NY<\/p><\/div>\n

An Apparently Unimportant Event: Self-Taught From the Centre D\u2019Art in The 1940s and 50s<\/h3>\n

January 31-March 5, 2007
\nKresge and Pascal Galleries<\/h4>\n

Drawn from the private collection of film director Jonathan Demme, this historic exhibition features renowned Haitian artists brought to the fore by American critic and Ramapo College donor Selden Rodman while he was co-director of the Centre d\u2019Art in Haiti. Included are such masters as Hector Hyppolite, Philome Obin, Wilson Bigaud and Castera Bazile. This project is funded in part by a grant from The Ramapo College Foundation.<\/p>\n

Press release<\/a> (link)<\/p>\n

Catalogue available for purchase<\/a>\u00a0(PDF)<\/p>\n

\"Ramapo\"<\/div><\/p>\n
\"David

David Freund, Navajo Series, 1990, gelatin silver print<\/p><\/div>\n

David Freund: Selected Works 1975-2006<\/h3>\n

March 28-April 27, 2007
\nKresge and Pascal Galleries<\/h4>\n

Ramapo College visual arts professor David Fruend has long photographed what could broadly be termed \u201cthe American scene,\u201d whether its people, or more often, the land. His photographs are constructions created from elements commonplace, immediately recognizable but somehow unfamiliar.<\/p>\n

Press release<\/a>\u00a0(link)<\/p>\n

Catalogue available for purchase<\/a>\u00a0(PDF)<\/p>\n

\"Ramapo\"<\/div><\/p>\n

Senior Art Show<\/h3>\n

May 2-9, 2007
\nKresge and Pascal Galleries<\/h4>\n

An exhibition of work by graduating visual arts students.<\/p>\n

\"Ramapo\"<\/div><\/p>\n
\"R.M.

R.M. Fischer, Composition # 6, 2006, mixed media<\/p><\/div>\n

R.M. Fischer<\/h3>\n

September 12-October 12, 2007
\nKresge Gallery<\/h4>\n

Works by R.M. Fischer will be presented to complement completion of his site-specific sculpture\u00a0View Port<\/em>\u00a0at the Anisfield School of Business, which has been realized through the New Jersey Public Buildings Arts Inclusion Act. Fischer is known for blurring the lines between art, architecture, design, fashion and technology.<\/p>\n

Press release<\/a>\u00a0(link)<\/p>\n

\"Ramapo\"<\/div><\/p>\n
\"Douglas

Douglas Auld in his studio<\/p><\/div>\n

State of Grace: Paintings by Douglas Auld<\/h3>\n

September 12-October 12, 2007
\nPascal Gallery<\/h4>\n

This exhibition of portrait paintings of burn survivors interprets aspects of their inner beauty and character, and is co-sponsored by the Office of Specialized Services at Ramapo College.\u00a0 The \u201cState of Grace\u201d series originated with the cooperation of the St. Barnabas Medical Center in Livingston, New Jersey.<\/p>\n

Press release<\/a>\u00a0(link)<\/p>\n

\"Ramapo\"<\/div><\/p>\n
\"Collection

Collection Parallax, installation with with artist, Mr. Imagination and Gallery Director Sydney O. Jenkins<\/p><\/div>\n

Collection Parallax<\/h3>\n

November 7-December 12, 2007
\nKresge Gallery<\/h4>\n

Ramapo\u2019s collection exhibitions on campus have usually centered around Haitian art. This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self-taught artists from Southern U.S.<\/p>\n

Press release<\/a>\u00a0(link)<\/p>\n

\"Ramapo\"<\/div><\/p>\n
\"Artemio

Artemio Narro, Apoohcalypse Now, 2002, DVD video on a monitor inside of a camouflage tent<\/p><\/div>\n

In Other Words<\/h3>\n

November 7-December 12, 2007
\nPascal Gallery<\/h4>\n

The annual Ramapo Curatorial Prize is co-administered with the Center for Curatorial Studies graduate program at Bard College. The 2006 winner was Bogata, Columbia curator Mariangela Mendez Prencke for her group exhibition \u201cIn Other Words.\u201d This conceptual presentation deals with the ambiguities of language translation, media narratives and the temporary completeness of \u201creading.\u201d<\/p>\n

Press release<\/a>\u00a0(link)<\/p>\n

\"Ramapo\"<\/div><\/p>\n

Additional Images<\/h3>\n
\n

<\/i><\/i><\/i><\/span> An Apparently Unimportant Event: Self-Taught From the Centre D\u2019Art in The 1940s and 50s<\/p>

\n

January 31-March 5, 2007 – Kresge and Pascal Galleries<\/h4>\n
<\/div>